One from the tinfoil hat brigade that actually does leave you with a sense of intrigue after reading it:

Sinister Sites – The Denver International Airport

An apocalyptic horse with glowing red eyes welcoming visitors? Check.

Nightmarish murals? Check.

Strange words and symbols embedded in the floor? Check.

Gargoyles sitting in suitcases? Check.

Runways shaped like a Nazi swastika? Check.

OK, this place is evil.

But seriously, there are so many irregularities surrounding the DIA, that a voluminous book could be written on the subject.  The facilities and the art displayed lead many observers to believe that the DIA is much more than an airport: it is literally a New-Age cathedral, full of occult symbolism and references to secret societies. The art at the DIA is NOT an aggregation of odd choices made by people with poor taste, like many people think. It is a cohesive collection of symbolic pieces that reflect the philosphy, the beliefs and the goals of the global elite. The DIA is the largest airport in America and it has cost over 4.8 billion dollars. Everything regarding this airport has been meticulously planned and everything is there for a reason.

That excerpt is only a small snippet from quite a lengthy and well written piece which is worth reading just to see what must be one of the strangest airports ever built.

If that doesn’t tempt you then, how about the following “nightmarish mural” mentioned above entitled Part 2 :

The monster has awakened! This big and aggressive militaristic figure is dressed in a Nazi uniform (notice the symbol on the hat) with a face shaped like a gas mask. His hands are holding a rifle and a scimitar that is rather violently molesting the peace bearing dove. On the left is depicted an endless lineup of crying parents holding their limp, dead baby. This is a truly atrocious painting, with no redeeming message or moral. The fact that this was displayed at the main gate of the largest airport of America, during the age of political correctness (the nineties) is totally aberrant. The militaristic figure is glorified and all-powerful,  situated at the center of the action. It has regained its powers that it seemed to have lost after WWII. It is back in full force and its leading the way to a new holocaust.

Look closely at the people on the left and the dead children sleeping on bricks. There is no traces of violence on them. They’re simply devoid of life, as if they were poisoned by the deadly gas emanating from the rainbow above them.  The monster, protected by his gas mask, is pointing the lineup of victims towards the letter on the bottom left.

The presence of a colorful rainbow and a teddybear in this image, symbols our minds instantly associate with youth and innocence, is totally sickening and twisted.

Attention is also drawn the letter visible at the bottom right of the mural :

It is an actual letter written by a Hama Herchenberg, 14 years old, that died December 18, 1943 in Auschwitz Concentration camp (as written at the bottom of the letter). A little disturbing isn’t it. Auschwitz was infamous for it use of toxic gas.

Not the kind of thing to sooth frayed nerves when you arrive at the airport main entrance is it?

Better still, there are four of those huge murals with depictions of death, disease, Aryan symbolism and Germanic references. Thats not to mention the sunwheel floor mosaics and assorted masonic symbols.

All very, very peculiar indeed – well worth having a read of the whole thing.